Who demonstrates this guilt, and why is it being displayed?
Films Included In Study: Not only do the films constitute a critique of the Vietnam warbut also bring into question the very ideological fabric of an aggressive, expansive and socially regimented post-war America. These films are original in their moral and ethical emphases, and in their portrayal of the results of war; they often contain the action demanded by cinema audiences, but also emphasise its corresponding brutality and suffering.
In these films, the justifiability of American intervention is often ambiguous. In Apocalypse Now, the Americans are not in Vietnam to fight but to surf. Following the rape of Casualties of war, the sadistic Clerk tells Eriksson to remain silent, what happens in the field stays in the field.
In contrast to the gung-ho Americans, the Vietnamese are usually portrayed sympathetically.
Simple Vietnamese villagers are always innocents, for whom the war is a calamity. Similarly, viet-Cong soldiers are usually portrayed objectively, and occasionally — as in the sniper scene of Full Metal jacket, as defenders of their country against western imperialism. The Vietnamese are often shown as an oppressed people, seen in the indiscriminate killing of civilians by the air-corps in Full Metal Jacket, and in the brutal rape, then merciless execution-style killing of Oahn in casualties of war.
Despite an obvious emphasis on the brutality of the American army in Vietnam, there is, however no clear polarisation between the two forces as good or bad; the process of war itself is seen as a force which induces the emergence of the contained savagery in human kind.
In war, men and women are not human, but simply killing machines. Savagery as a consequence of war is seen in Apocalypse Now, where Clean shoots the passengers of an inspected boat, and in Full Metal jacket, where the Vietnamese girl sniper, with the same kind of grimace seen in the psychotic Pyle, engages in a gun battle with the advancing marines.
For the Americans, this dehumanising process is two-fold. It is your killer instinct that must be harnessed. FMJ The psychologically conditioned soldier is seen in Meserve of Casualties of war, who bellows at his enemies when he fights. In Apocalypse Now, Willard is the product of moral-effacing indoctrination; he is an assassin — a professional killer, and is quite able to shoot the wounded Vietnamese girl, rather than endanger his mission by seeking medical aid.
Kurtz asks willard if he is an assassin: Kurtz — Are you an assassin? The second aspect of the dehumanising process for the Americans, is the encounter with Vietnam. The brutality and suffering witnessed by the American soldier seems to push his already psychotically conditioned psyche beyond the limits of sanity.
The thin divide between sanity and madness, maintained only through the discipline and rhythm of army training and convention, cannot counter the shattering horror of Vietnam. In casualties of War, the veterans Clerk and Meserve, who have witnessed bloody mutilation and death, abduct, rape and methodically kill a Vietnamese girl.
Their action illustrates a cynical depreciation for human life. For the Americans, the conflict between their own civilised psyche, and the reality of a destructive, alien and hostile environment has the simple effect of breaking down moral, ethical and religious convictions.
This is seen in Apocalypse Now, where the renegade Col. His display of Vietnamese heads on sticks, and presentation of the head of chef to Willard, demonstrates this moral degeneration: I am beyond morality, above caring AN.
For Kurtz, this scepticism of Western ethics, dogma and conditioning, is extended to his embrace of a predatory cosmic order, in which the only real virtue is an ability to survive. The man really likes you. Kurtz suggests that the government, fighting in Vietnam for its own strategic and ideological purposes lacks real ethical motive, and is nothing more than an assassin itself: The assassin accuses the assassin.
Whereas Heartman is the epitome of controlled brutality and indoctrinated discipline, Kurtz is a killer without any method at all, a parody of an ambitious military career.
The horror of Vietnam estranges the soldier from all ethical pretensions or allegiances to the institutions he has been taught to worship.
AN When the soldier has realised the hollowness and artificiality of American ideology, all ethical justification for war becomes meaningless and futile. The disciplinary breakdown of soldiers, as seen in Meserve and Kurtz is almost inevitable. The tragedy of incidents such as the rape of Oahn in Casualties of War is a direct result of this ideological breakdown.
Browning sums up the dilemma of the soldiers, suggesting that the only concern in Vietnam is survival: CW The simple fact that the Vietnam conflict is fought over political ideologies suggests the meaningless of war.
Strangelove, where the manic general, Col. The ensuing attempt to prevent Armageddon fails — because the Russians have put their bombs in the hands of a machine. I can no longer sit back and allow Communist infiltration, Communist indoctrination, Communist subversion and the international Communist conspiracy to sap and impurify all of our precious bodily fluids.
S In discussing the ideological basis of the films, it is perhaps necessary to remember the political climate during their production.Macbeth's Implacable Guilt Essay examples - Palabras | Cram Free Essay: Macbeth's Implacable Guilt The Shakespearean tragedy Macbeth underscores the important and .
timberdesignmag.com is a part of the largest social network for studying in a group. We provide the best tools for mutual help with school subjects. Join us! Macbeth essays - Macbeth's Implacable Guilt.
Shakespeare's Macbeth - Macbeth's Guilt Essay - Macbeth's Implacable Guilt The Shakespearean tragedy Macbeth underscores the important and usually unforeseen effect of sin, that of guilt. Guilt is a major factor in people’s lives, and will continue to haunt the characters of Macbeth for a long time.
Guilt can be a result of many things, as it is a feeling that remains forever. Guilt can be a result of many things, as it is a feeling that remains forever. Macbeth's Implacable Guilt The Shakespearean tragedy Macbeth underscores the important and usually unforeseen effect of sin, that of guilt.
The guilt is so deep that Lady Macbeth is pushed to suicide, and Macbeth fares only slightly better. Macbeth's Implacable Guilt Essay - Macbeth's Implacable Guilt The Shakespearean tragedy Macbeth underscores the important and usually unforeseen effect of sin, that of guilt.
The guilt is so deep that Lady Macbeth is pushed to .